on the divide: analytic and continental philosophy of music

That’s the title of a essay of mine in The Journal of Aesthetics and Art Criticism (Volume 75, no. 1, 2017). I’ve posted the abstract on academia.edu

For an interesting response to my essay see Andreas Vrahimis, “Is There a Methodological Divide between Analytic and Continental Philosophy of Music? Response to Roholt.” In The Journal of Aesthetics and Art Criticism (Volume 76, no. 1, 2018).